Sunday | Oct 22 | 6pm

Screening @ Deluge

Goddess of Speed

Sun, Oct 22 @ 6pm
CA$8.00

In-Person Screening: Goddess of Speed
Student/Senior $6 (use code 25OFF at checkout)

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Watch Online Free: Monday, Oct 23 (24hrs)

Goddess of Speed

Frédéric Moffet | 2023 | Canada/USA | 8 min | Cdn Premiere

A film titled Dance Movie appears in many Warhol filmographies, but no work with this title can be found in the collection. The lost film, starring dancer Fred Herko gliding on a single roller skate, was shot in 1963. Herko was a talented dancer and choreographer who cofounded and performed with the Judson Dance Theater. Herko was also associated with the Mole People, a group of queer men and women who came together to get high on speed and listen to opera. In October 1964, unhoused and strung out on drugs, Herko leapt out of an open window while dancing naked to Mozart’s Coronation Mass in C Major. Although the current location of Dance Movie is unknown, accounts of it do exist, including Warhol’s evocative description in POPism of Herko “gliding in dance attitudes and looking as perfect as the ornament on the hood of a car.” Goddess of Speed poetically reimagines the missing film.

Frédéric Moffet is a media artist, educator, video editor and cultural worker. He lives between Montreal and Chicago. His work explores the slippery territory between history, lived experience and fantasy. His projects include Horsey, Fever Freaks, The Magic Hedge, Adresse Permanente, The Faithful, POSTFACE, Jean Genet in Chicago and Hard Fat. Screenings include: Oberhausen Film Festival, Rotterdam Film Festival, National Center for Contemporary Arts (Moscow), Whitechapel Art Gallery (London), Walker Art Center (Minneapolis), Museum of Contemporary Art (Chicago), PPOW Gallery (New York), Biennial of Moving Images (Geneva), Pleasure Dome (Toronto), Other Cinema (San Francisco), Kassel Documentary Film Festival, Microwave (Hong Kong) and Taipei Golden Horse Film Festival. Awards include: Canada Council for the Arts, Gus Van Sant Award at Ann Arbor Film festival, Santiago International Short Film Festival. FLEX Film/Video Festival, Iowa City International Documentary Film Festival, Chicago Underground Film Festival and more.

Today I Did Nothing

Kim Kielhofner | 2023 | Canada | 8 min | Cdn Premiere

Through a whirlwind of images, Today I Did Nothing proposes a hybrid essay narrative that weaves together quotes and ideas using a collection of objects. The work creates a personal archive, repeating its imagery to entice the viewer into its visual universe while at the same time presenting difficult contradictions.

Kim Kielhofner is a visual and media artist based in Tiohtià:ke (Montréal). Her process is based on interests in layered narrative, cinema and literature through which she has developed an archive of images and ideas. Her work has been presented in solo shows at Dazibao (Montréal), LUX (London), VOX (Montréal), Sporobole (Sherbrooke) and k48 (Vienna). Her work has also been shown widely in group exhibitions and screenings including Kassel Documentary Film and Video Festival, WRO Biennale, FIFA Experimental (Montréal), Oberhausen International Short Film Festival and Bienal de la Imagen en Movimiento (Buenos Aires). She has been an artist in residence at KulturKontakt (Vienna), Aberystwyth Arts Centre (UK), The Red Mansion Foundation (Beijing) and International Studio and Curatorial Program (Brooklyn).

Between you and me

Cameron Kletke | 2023 | Canada | 4 min | Vic Premiere

A dynamic journey through a woman’s visual diaries, exploring human connection in young adulthood.  

Cameron Kletke originally hails from Calgary but has most recently been living in Vancouver after graduating from Emily Carr University with a bachelor’s degree in 2D and Experimental Animation. Her films have screened across North America, as well as in France and New Zealand, and use physical 2D media on paper, including ink, pencil crayon and acrylic paint.

Sight Leak

Peng Zuqiang | 2022 | China/USA | 12 min | W Cdn Premiere

“The moon, the sometimes dark street, trees, it’s warm […] at last, a certain eroticism possible (that of the warm night).” When Roland Barthes visited China in 1973, he jotted down some notes that would become part of his Travels in China (Carnets du voyage en Chine), an underplot of desire in his imagination of the country. Barthes did not publish these writings during his lifetime, and his unsettling judgments about China are refracted in Peng Zuqiang’s work Sight Leak, as fragments of dialogues on class and looking, responding to the reflections on the same matters elicited alongside Barthes’ sense of eroticism. The local tourist in the film travels through different spaces and gatherings, seemingly never looking at anyone, yet silently looking at someone, turning towards a certain collectivity in spite of a foreign homoerotic gaze.

Peng Zuqiang makes moving images. Zuqiang’s works have been shown at exhibitions and festivals internationally including IDFA, Antimatter, BISFF, Open City Doc Festival, Cell Project Space, UCCA Beijing, Times Art Center Berlin and Museum of Fine Arts, Houston. He has received fellowships and residencies from the MacDowell, Skowhegan, Core Program and IAS CEU. He received a Special Mention from Festival Film Dokumenter, Yogyakarta for his first feature film, Nan (2020). He has been a resident artist at Rijksakademie van beeldende kunsten since 2022.

on the sixth night i started to dream in flamingo

Nicole Rayburn | 2022 | Canada/Mexico | 1 min | BC Premiere

This is a story about the time I almost became a flamingo.

Nicole Rayburn’s artistic practice is a convergence of video, text and still imagery. With rose-coloured glasses, she examine’s the intersections of popular culture, capitalism, mental health and nature—the sources of all things wondrous and cruel. 

Rayburn has screened at video festivals nationally and internationally, including Athens Digital Art Festival (Greece), European Media Arts Festival (Germany), Lausanne Underground Film Festival (Switzerland), The Fine Art Film Festival (USA), Antimatter [media art] (Canada) and Festival de Cine Experimental de Bogotá (Colombia). She has exhibited at galleries such as Ohio State University Mansfield Gallery (USA), Latitude 53 (Canada), Stride Gallery (Canada), Harcourt House (Canada) and Artspace (Canada), with upcoming solo exhibitions at Brotherly Love Gallery (USA) and Penny Contemporary (Australia). She holds an MFA from the University of Western Ontario and am currently an Assistant Professor at SOVA.

The Garden of Fauns

Pol Merchan | 2022 | Germany/Spain | 24 min | Cdn Premiere

The Garden of Fauns reveals the colourful and transgressive universe of artist Nazario Luque, a leading figure of the Spanish underground comics movement of the 1970s. A hypnotic journey into the transvestite counterculture of Barcelona, between past and present, an artist’s life and its archive, an ode to life, love, desire and loss.

Pol Merchan is a transmasculine artist, filmmaker and programmer for the Xposed International Queer Film Festival. He received his bachelor's degree in Fine Arts from the University of Barcelona and his master's degree from the Universität der Künste Berlin's Art in Context program. His audiovisual work examines cinematic processes while dissecting traditional filmmaking methods. Working across film, photography and text, his art practice addresses transgenerational connections and the archiving of oral history. His film The Garden of Fauns got the Golden Key Nomination at Kassel Documentary Film and Video Festival. His film Pirate Boys won the Xposed Queer Short Film Fund and was nominated for the Lichter Art Award at Lichter Filmfest Frankfurt International. Merchan's work has been exhibited internationally in art institutions and at numerous festivals such as Hot Docs Canadian International Documentary Festival, International Film Festival Rotterdam, Clermont-Ferrand Short Film Festival, Internationale Kurzfilmtage Oberhausen, Festival Internacional de Cine Guanajuato, Indie Lisboa, Ann Arbor Film Festival and Anthology Film Archives New York.

 

Sunday | Oct 22 | 8pm

Screening @ Deluge

Afterlives

Sun, Oct 22 @ 8pm
CA$8.00

In-Person Screening: Afterlives
Student/Senior $6 (use code 25OFF at checkout)

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Watch Online Free: Monday, Oct 23 (24hrs)

Daedalus

Devis Venturelli | 2021 | Italy | 10 min | Cdn Premiere

In a chromatic-perfomative vision, coloured filters alter the perception of the space of a labyrinthic journey between highways, viaducts and motorways in search of a metaphorical epiphany, a space of possibility.

Devis Venturelli is a multi-disciplinary artist, architect and filmmaker. In his practice he uses the languages of video, performance, sculpture and installation to document ephemeral architectures, visions and temporary utopias. He has taken part in solo and group shows in museums, institutions, art galleries such as Centre Pompidou, Paris, Lincoln Center for the Performing Arts, New York, Anthology Film Archive, New York, PAC, Milan, Medialab-Prado, Madrid, Museo de Arte, Lima, Xinjiang Biennale, MACRO, Rome, Kulturhuset Museum, Stockholm, Moscow Museum of Modern Art, la Biennale di Venezia, Ace Gallery, Los Angeles, Angel Orensanz Foundation, New York, Istituto Italiano di Cultura, Amsterdam, Spazio Oberdan, Milan, Fondazione Sandretto Re Rebaudengo, Turin, Kunsthalle, Wien, Stadtgalerie, Kiel, Centre d’Art Santa Monica, Barcelona, Fondazione Merz, Turin, Kunstverein, Augsburg, Pacific Design Center, West Hollywood, National Museum, Wrocław, Mart – Galleria Civica, Trento, Galleria Nazionale d’Arte Moderna, Rome. In 2013 he presented the film project “Luciano Berio | Devis Venturelli. In My End is My Music” in collaboration with Tempo Reale, Center for Music Research, Florence. His videos and experimental films have been shown in festivals including Rencontres Internationales Paris/Berlin, Dance on Camera Festival, Videoformes, 25FPS Experimental Film Festival, Festival Internacional de Video Arte, Romaeuropa Festival, Tehran International Short Film Festival, Regensburg International Short Film Week, New Filmmakers NY. He has been awarded prizes including Premio Aletti – Banca Aletti, VIDEO.it / Fondazione Merz, Hong Kong Arthouse Prize – Best Experimental Film, Premio Alinovi-Daolio, University of Bologna. He is currently adjunct professor at Brera Fine Arts Academy in Milan and in various Italian Universities and Academies.

Afterlives

Michael Heindl | 2022 | Austria | 3 min | Cdn Premiere

If one compares the useful life of plastic objects with their period of decay, there is a considerable imbalance. One might think that the real existence of the objects begins only after their disposal and consists in their non-use. If until then they were an indispensable part of consumer societies, from now on they appear as antagonists of all ecosystems. Their main characteristic is to be consistently out of place. Where they appear, they do so as disruptive objects.

Michael Heindl lives and works in Vienna and Scharten (Upper Austria). In his work, Heindl is primarily concerned with the possibilities of art in public space. His works are mostly realized in the form of targeted actions and interventions. The starting point is often everyday objects and phenomena, which he transforms into subtle conceptual art. His works have been shown in Vancouver, Hong Kong, Cairo and London, among other places, and have received several awards, such as the Jury Prize at Vienna Shorts and the Lentos Kunstpreis. From June 2023 he has been artist in residence at School of the Art Institute of Chicago.

Next Her Heart

Anna Kipervaser | 2023 | Ukraine/UAE/USA | 12 min | Cdn Premiere

Eternal recurrence and wisdom undone. The end or the beginning. Who are we that we. One and the same are the shadow cast and its cause.

A hypnotic journey through the seven valleys on the way to reach the abode of the Simurgh.

Anna Kipervaser is a Ukrainian-born artist whose practice engages with a range of topics including human and animal bodies, ethnicity, religion, colonialism and environmental conservation. Her engagement with these topics is informed by a commitment to formal experimentation, DIY and alternative processes, spanning disciplines including experimental and documentary moving image works in both 16mm film and digital video. Her work has screened at festivals internationally, including at Slamdance Film Festival, Full Frame Documentary Film Festival, Crossroads Film Festival, Edinburgh International Film Festival, San Francisco International Film Festival, Alchemy Film and Moving Image Festival, Light Field, Antimatter, Fracto, Imagine Science Film Festival, Big Sky Documentary Film Festival, Milwaukee Underground Film Festival, Chicago Underground Film Festival, Athens International Film and Video Festival, Indie Grits Film Festival, Muestra Internacional Documental de Bogota, among others. Anna's work also screens in classrooms, galleries, museums, microcinemas, basements, and schoolhouses! Her films are distributed by CFMDC, Alchemiya, and Canyon Cinema. She is also a painter, printmaker, educator, curator of exhibitions and programmer of screenings.  

Joyride

Dina Yanni | 2023 | Austria | 5 min | Cdn Premiere

VHS to digital. Fast forward and slowed down. A synthesis of the digital and the analog glitch. Joyride is part two of an ongoing Elvis video-cycle.

Dina Yanni is a video artist and researcher whose work is influenced by popular culture, digital image manipulation and critical theory. She creates video work that utilizes existing footage, experimental editing and data corruption to reveal, reevaluate and reframe power structures discovered in the original materials. Yanni also publishes theory-based work around the study of power structures behind visual representations and possibilities for counter-narratives. She holds a PhD in Political Science and a Master in Film Production. Her work has been exhibited at experimental film and video art festivals internationally.

Ill Composto

Josh Drake, James Hollenbaugh, Jeremy Moss, Caleb Smith | 2023 | USA | 4 min | Cdn Premiere

A collaborative Dadaist/exquisite corpse film on the theme of waste by four members of Moviate, a filmmaker-run curatorial collective based in Harrisburg, Pennsylvania.

Made in Europe

Zauri Matikashvili | 2023 | Georgia/Germany/Netherlands | 25 min | World Premiere

For more than 30 years, my father has been travelling from Georgia to Germany or the Netherlands to buy second-hand cars, preferably Mercedes Sprinter vans. He packs them full of bicycles and furniture such as used leather sofas, chairs and tables. For some years now, he has also been buying scrap cars. He dismantles them into their components, which he sends to Georgia by container, often on behalf of Georgian wholesalers. Then my father drives 4,800 kilometres back to Georgia in a Sprinter alone. Spare parts and second-hand goods from Europe are valuable enough in Georgia to sell them for a small profit, despite the high cost of travel. This is how my father earns his living in the international flow of goods—under difficult conditions: hard physical work, health hazards, separation from his family and poor accommodations.

Zauri Matikashvili (b. in Kvareli, Georgia) lives and works in Amsterdam and Münster. In his films and performances, he questions socio-cultural and political contexts of different societies and nations exerting influence on the identity construction of individual realities. He focuses on questions of justice, identity and migration, to which he also has a special connection due to his biography. He uses as little technology as possible and takes on all tasks (conception, direction, camera, sound) himself in order to keep the distance to those filmed as small as possible.

Matikashvili studied fine arts in Münster and Düsseldorf. His works have been shown in many solo and group exhibitions, at the Eye Filmmuseum, Amsterdam, Cité Internationale des Arts, Paris, Internationale Kurzfilmtage, Oberhausen, Kunstverein Harburger Bahnhof, Münster Film Festival, HMKV, Dortmund, PACT Zollverein, Essen, Sammlung Philara in cooperation with Filmwerkstatt, Düsseldorf, Kunsthalle Düsseldorf, LWL-Museum für Kunst und Kultur, Münster, Theater im Pumpenhaus, Münster (2018), Skulptur Projekte Münster (2017), Kunstverein Gelsenkirchen (2016) and Museum Folkwang, Essen, among others. He is currently a resident at the Rijksakademie van beeldende kunsten, Amsterdam, having previously held residencies at Cité Internationale des Arts Paris and PACT Zollverein in Essen.